The Inn

Guy de Maupassant

The Inn

Resembling in appearance all the wooden hostelries of the High Alps situated at the foot of glaciers in the barren rocky gorges that intersect the summits of the mountains, the Inn of Schwarenbach serves as a resting place for travellers crossing the Gemini Pass.
It remains open for six months in the year and is inhabited by the family of Jean Hauser; then, as soon as the snow begins to fall and to fill the valley so as to make the road down to Loeche impassable, the father and his three sons go away and leave the house in charge of the old guide, Gaspard Hari, with the young guide, Ulrich Kunsi, and Sam, the great mountain dog.
The two men and the dog remain till the spring in their snowy prison, with nothing before their eyes except the immense white slopes of the Balmhorn, surrounded by light, glistening summits, and are shut in, blocked up and buried by the snow which rises around them and which envelops, binds and crushes the little house, which lies piled on the roof, covering the windows and blocking up the door.
It was the day on which the Hauser family were going to return to Loeche, as winter was approaching, and the descent was becoming dangerous. Three mules started first, laden with baggage and led by the three sons. Then the mother, Jeanne Hauser, and her daughter Louise mounted a fourth mule and set off in their turn and the father followed them, accompanied by the two men in charge, who were to escort the family as far as the brow of the descent. First of all they passed round the small lake, which was now frozen over, at the bottom of the mass of rocks which stretched in front of the inn, and then they followed the valley, which was dominated on all sides by the snow-covered summits.
A ray of sunlight fell into that little white, glistening, frozen desert and illuminated it with a cold and dazzling flame. No living thing appeared among this ocean of mountains. There was no motion in this immeasurable solitude and no noise disturbed the profound silence.
By degrees the young guide, Ulrich Kunsi, a tall, long-legged Swiss, left old man Hauser and old Gaspard behind, in order to catch up the mule which bore the two women. The younger one looked at him as he approached and appeared to be calling him with her sad eyes. She was a young, fairhaired little peasant girl, whose milk-white cheeks and pale hair looked as if they had lost their color by their long abode amid the ice. When he had got up to the animal she was riding he put his hand on the crupper and relaxed his speed. Mother Hauser began to talk to him, enumerating with the minutest details all that he would have to attend to during the winter. It was the first time that he was going to stay up there, while old Hari had already spent fourteen winters amid the snow, at the inn of Schwarenbach.

Ulrich Kunsi listened, without appearing to understand and looked incessantly at the girl. From time to time he replied: "Yes, Madame Hauser," but his thoughts seemed far away and his calm features remained unmoved.
They reached Lake Daube, whose broad, frozen surface extended to the end of the valley. On the right one saw the black, pointed, rocky summits of the Daubenhorn beside the enormous moraines of the Lommern glacier, above which rose the Wildstrubel. As they approached the Gemmi pass, where the descent of Loeche begins, they suddenly beheld the immense horizon of the Alps of the Valais, from which the broad, deep valley of the Rhone separated them.
In the distance there was a group of white, unequal, flat, or pointed mountain summits, which glistened in the sun; the Mischabel with its two peaks, the huge group of the Weisshorn, the heavy Brunegghorn, the lofty and formidable pyramid of Mount Cervin, that slayer of men, and the Dent- Blanche, that monstrous coquette.
Then beneath them, in a tremendous hole, at the bottom of a terrific abyss, they perceived Loeche, where houses looked as grains of sand which had been thrown into that enormous crevice that is ended and closed by the Gemmi and which opens, down below, on the Rhone.
The mule stopped at the edge of the path, which winds and turns continually, doubling backward, then, fantastically and strangely, along the side of the mountain as far as the almost invisible little village at its feet. The women jumped into the snow and the two old men joined them. "Well," father Hauser said, "good-by, and keep up your spirits till next year, my friends," and old Hari replied: "Till next year."
They embraced each other and then Madame Hauser in her turn offered her cheek, and the girl did the same.
When Ulrich Kunsi's turn came, he whispered in Louise's ear, "Do not forget those up yonder," and she replied, "No," in such a low voice that he guessed what she had said without hearing it. "Well, adieu," Jean Hauser repeated, "and don't fall ill." And going before the two women, he commenced the descent, and soon all three disappeared at the first turn in the road, while the two men returned to the inn at Schwarenbach.
They walked slowly, side by side, without speaking. It was over, and they would be alone together for four or five months. Then Gaspard Hari began to relate his life last winter. He had remained with Michael Canol, who was too old now to stand it, for an accident might happen during that long solitude. They had not been dull, however; the only thing was to make up one's mind to it from the first, and in the end one would find plenty of distraction, games and other means of whiling away the time.

Ulrich Kunsi listened to him with his eyes on the ground, for in his thoughts he was following those who were descending to the village. They soon came in sight of the inn, which was, however, scarcely visible, so small did it look, a black speck at the foot of that enormous billow of snow, and when they opened the door Sam, the great curly dog, began to romp round them.
"Come, my boy," old Gaspard said, "we have no women now, so we must get our own dinner ready. Go and peel the potatoes." And they both sat down on wooden stools and began to prepare the soup.
The next morning seemed very long to Kunsi. Old Hari smoked and spat on the hearth, while the young man looked out of the window at the snow- covered mountain opposite the house.
In the afternoon he went out, and going over yesterday's ground again, he looked for the traces of the mule that had carried the two women. Then when he had reached the Gemmi Pass, he laid himself down on his stomach and looked at Loeche.
The village, in its rocky pit, was not yet buried under the snow, from which it was sheltered by the pine woods which protected it on all sides. Its low houses looked like paving stones in a large meadow from above. Hauser's little daughter was there now in one of those gray-colored houses. In which? Ulrich Kunsi was too far away to be able to make them out separately. How he would have liked to go down while he was yet able!
But the sun had disappeared behind the lofty crest of the Wildstrubel and the young man returned to the chalet. Daddy Hari was smoking, and when he saw his mate come in he proposed a game of cards to him, and they sat down opposite each other, on either side of the table. They played for a long time a simple game called brisque and then they had supper and went to bed.
The following days were like the first, bright and cold, without any fresh snow. Old Gaspard spent his afternoons in watching the eagles and other rare birds which ventured on those frozen heights, while Ulrich returned regularly to the Gemmi Pass to look at the village. Then they played cards, dice or dominoes and lost and won a trifle, just to create an interest in the game.

One morning Hari, who was up first, called his companion. A moving, deep and light cloud of white spray was falling on them noiselessly and was by degrees burying them under a thick, heavy coverlet of foam. That lasted four days and four nights. It was necessary to free the door and the windows, to dig out a passage and to cut steps to get over this frozen powder, which a twelve hours' frost had made as hard as the granite of the moraines.
They lived like prisoners and did not venture outside their abode. They had divided their duties, which they performed regularly. Ulrich Kunsi undertook the scouring, washing and everything that belonged to cleanliness. He also chopped up the wood while Gaspard Hari did the cooking and attended to the fire. Their regular and monotonous work was interrupted by long games at cards or dice, and they never quarrelled, but were always calm and placid. They were never seen impatient or ill- humored, nor did they ever use hard words, for they had laid in a stock of patience for their wintering on the top of the mountain.
Sometimes old Gaspard took his rifle and went after chamois, and occasionally he killed one. Then there was a feast in the inn at Schwarenbach and they revelled in fresh meat. One morning he went out as usual. The thermometer outside marked eighteen degrees of frost, and as the sun had not yet risen, the hunter hoped to surprise the animals at the approaches to the Wildstrubel, and Ulrich, being alone, remained in bed until ten o'clock. He was of a sleepy nature, but he would not have dared to give way like that to his inclination in the presence of the old guide, who was ever an early riser. He breakfasted leisurely with Sam, who also spent his days and nights in sleeping in front of the fire; then he felt low-spirited and even frightened at the solitude, and was-seized by a longing for his daily game of cards, as one is by the craving of a confirmed habit, and so he went out to meet his companion, who was to return at four o'clock.
The snow had levelled the whole deep valley, filled up the crevasses, obliterated all signs of the two lakes and covered the rocks, so that between the high summits there was nothing but an immense, white, regular, dazzling and frozen surface. For three weeks Ulrich had not been to the edge of the precipice from which he had looked down on the village, and he wanted to go there before climbing the slopes which led to Wildstrubel. Loeche was now also covered by the snow and the houses could scarcely be distinguished, covered as they were by that white cloak.

Then, turning to the right, he reached the Loemmern glacier. He went along with a mountaineer's long strides, striking the snow, which was as hard as a rock, with his ironpointed stick, and with his piercing eyes he looked for the little black, moving speck in the distance, on that enormous, white expanse.
When he reached the end of the glacier he stopped and asked himself whether the old man had taken that road, and then he began to walk along the moraines with rapid and uneasy steps. The day was declining, the snow was assuming a rosy tint, and a dry, frozen wind blew in rough gusts over its crystal surface. Ulrich uttered a long, shrill, vibrating call. His voice sped through the deathlike silence in which the mountains were sleeping; it reached the distance, across profound and motionless waves of glacial foam, like the cry of a bird across the waves of the sea. Then it died away and nothing answered him.
He began to walk again. The sun had sunk yonder behind the mountain tops, which were still purple with the reflection from the sky, but the depths of the valley were becoming gray, and suddenly the young man felt frightened. It seemed to him as if the silence, the cold, the solitude, the winter death of these mountains were taking possession of him, were going to stop and to freeze his blood, to make his limbs grow stiff and to turn him into a motionless and frozen object, and he set off running, fleeing toward his dwelling. The old man, he thought, would have returned during his absence. He had taken another road; he would, no doubt, be sitting before the fire, with a dead chamois at his feet. He soon came in sight of the inn, but no smoke rose from it. Ulrich walked faster and opened the door. Sam ran up to him to greet him, but Gaspard Hari had not returned. Kunsi, in his alarm, turned round suddenly, as if he had expected to find his comrade hidden in a corner. Then he relighted the fire and made the soup, hoping every moment to see the old man come in. From time to time he went out to see if he were not coming. It was quite night now, that wan, livid night of the mountains, lighted by a thin, yellow crescent moon, just disappearing behind the mountain tops.

Then the young man went in and sat down to warm his hands and feet, while he pictured to himself every possible accident. Gaspard might have broken a leg, have fallen into a crevasse, taken a false step and dislocated his ankle. And, perhaps, he was lying on the snow, overcome and stiff with the cold, in agony of mind, lost and, perhaps, shouting for help, calling with all his might in the silence of the night.. But where? The mountain was so vast, so rugged, so dangerous in places, especially at that time of the year, that it would have required ten or twenty guides to walk for a week in all directions to find a man in that immense space. Ulrich Kunsi, however, made up his mind to set out with Sam if Gaspard did not return by one in the morning, and he made his preparations.
He put provisions for two days into a bag, took his steel climbing iron, tied a long, thin, strong rope round his waist, and looked to see that his ironshod stick and his axe, which served to cut steps in the ice, were in order. Then he waited. The fire was burning on the hearth, the great dog was snoring in front of it, and the clock was ticking, as regularly as a heart beating, in its resounding wooden case. He waited, with his ears on the alert for distant sounds, and he shivered when the wind blew against the roof and the walls. It struck twelve and he trembled: Then, frightened and shivering, he put some water on the fire, so that he might have some hot coffee before starting, and when the clock struck one he got up, woke Sam, opened the door and went off in the direction of the Wildstrubel. For five hours he mounted, scaling the rocks by means of his climbing irons, cutting into the ice, advancing continually, and occasionally hauling up the dog, who remained below at the foot of some slope that was too steep for him, by means of the rope. It was about six o'clock when he reached one of the summits to which old Gaspard often came after chamois, and he waited till it should be daylight.
The sky was growing pale overhead, and a strange light, springing nobody could tell whence, suddenly illuminated the immense ocean of pale mountain summits, which extended for a hundred leagues around him. One might have said that this vague brightness arose from the snow itself and spread abroad in space. By degrees the highest distant summits assumed a delicate, pink flesh color, and the red sun appeared behind the ponderous giants of the Bernese Alps.

Ulrich Kunsi set off again, walking like a hunter, bent over, looking for tracks, and saying to his dog: "Seek, old fellow, seek!"
He was descending the mountain now, scanning the depths closely, and from time to time shouting, uttering aloud, prolonged cry, which soon died away in that silent vastness. Then he put his ear to the ground to listen. He thought he could distinguish a voice, and he began to run and shouted again, but he heard nothing more and sat down, exhausted and in despair. Toward midday he breakfasted and gave Sam, who was as tired as himself, something to eat also, and then he recommenced his search.
When evening came he was still walking, and he had walked more than thirty miles over the mountains. As he was too far away to return home and too tired to drag himself along any further, he dug a hole in the snow and crouched in it with his dog under a blanket which he had brought with him. And the man and the dog lay side by side, trying to keep warm, but frozen to the marrow nevertheless. Ulrich scarcely slept, his mind haunted by visions and his limbs shaking with cold.
Day was breaking when he got up. His legs were as stiff as iron bars and his spirits so low that he was ready to cry with anguish, while his heart was beating so that he almost fell over with agitation, when he thought he heard a noise.
Suddenly he imagined that he also was going to die of cold in the midst of this vast solitude, and the terror of such a death roused his energies and gave him renewed vigor. He was descending toward the inn, falling down and getting up again, and followed at a distance by Sam, who was limping on three legs, and they did not reach Schwarenbach until four o'clock in the afternoon. The house was empty and the young man made a fire, had something to eat and went to sleep, so worn out that he did not think of anything more.
He slept for a long time, for a very long time, an irresistible sleep. But suddenly a voice, a cry, a name, "Ulrich!" aroused him from his profound torpor and made him sit up in bed. Had he been dreaming? Was it one of those strange appeals which cross the dreams of disquieted minds? No, he heard it still, that reverberating cry-which had entered his ears and remained in his flesh-to the tips of his sinewy fingers. Certainly somebody had cried out and called "Ulrich!" There was somebody there near the house, there could be no doubt of that, and he opened the door and shouted, "Is it you, Gaspard?" with all the strength of his lungs. But there was no reply, no murmur, no groan, nothing. It was quite dark and the snow looked wan.

The wind had risen, that icy wind that cracks the rocks and leaves nothing alive on those deserted heights, and it came in sudden gusts, which were more parching and more deadly than the burning wind of the desert, and again Ulrich shouted: "Gaspard! Gaspard! Gaspard." And then he waited again. Everything was silent on the mountain.
Then he shook with terror and with a bound he was inside the inn, when he shut and bolted the door, and then he fell into a chair trembling all over, for he felt certain that his comrade had called him at the moment he was expiring.
He was sure of that, as sure as one is of being alive or of eating a piece of bread. Old Gaspard Hari had been dying for two days and three nights somewhere, in some hole, in one of those deep, untrodden ravines whose whiteness is more sinister than subterranean darkness. He had been dying for two days and three nights and be had just then died, thinking of his comrade. His soul, almost before it was released, had taken its flight to the inn where Ulrich was sleeping, and it had called him by that terrible and mysterious power which the spirits of the dead have to haunt the living. That voiceless soul had cried to the worn-out soul of the sleeper; it had uttered its last farewell, or its reproach, or its curse on the man who had not searched carefully enough.
And Ulrich felt that it was there, quite close to him, behind the wall, behind the door which be had just fastened. It was wandering about, like a night bird which lightly touches a lighted window with his wings, and the terrified young man was ready to scream with horror. He wanted to run away, but did not dare to go out; he did not dare, and he should never dare to do it in the future, for that phantom would remain there day and night, round the inn, as long as the old man's body was not recovered and had not been deposited in the consecrated earth of a churchyard.
When it was daylight Kunsi recovered some of his courage at the return of the bright sun. He prepared his meal, gave his dog some food and then remained motionless on a chair, tortured at heart as he thought of the old man lying on the snow, and then, as soon as night once more covered the mountains, new terrors assailed him. He now walked up and down the dark kitchen, which was scarcely lighted by the flame of one candle, and he walked from one end of it to the other with great strides, listening, listening whether the terrible cry of the other night would again break the dreary silence outside. He felt himself alone, unhappy man, as no man had ever been alone before! He was alone in this immense desert of Snow, alone five thousand feet above the inhabited earth, above human habitation, above that stirring, noisy, palpitating life, alone under an icy sky! A mad longing impelled him to run away, no matter where, to get down to Loeche by flinging himself over the precipice; but he did not even dare to open the door, as he felt sure that the other, the dead man, would bar his road, so that he might not be obliged to remain up there alone:

Toward midnight, tired with walking, worn out by grief and fear, he at last fell into a doze in his chair, for he was afraid of his bed as one is of a haunted spot. But suddenly the strident cry of the other evening pierced his ears, and it was so shrill that Ulrich stretched out his arms to repulse the ghost, and he fell backward with his chair.
Sam, who was awakened by the noise, began to howl as frightened dogs do howl, and he walked all about the house trying to find out where the danger came from. When he got to the door, he sniffed beneath it, smelling vigorously, with his coat bristling and his tail stiff, while he growled angrily. Kunsi, who was terrified, jumped up, and, holding his chair by one leg, he cried: "Don't come in, don't come in, or I shall kill you." And the dog, excited by this threat, barked angrily at that invisible enemy who defied his master's voice. By degrees, however, he quieted down and came back and stretched himself in front of the fire, but he was uneasy and kept his head up and growled between his teeth.
Ulrich, in turn, recovered his senses, but as he felt faint with terror, he went and got a bottle of brandy out of the sideboard, and he drank off several glasses, one after anther, at a gulp. His ideas became vague, his courage revived and a feverish glow ran through his veins.
He ate scarcely anything the next day and limited himself to alcohol, and so he lived for several days, like a drunken brute. As soon as he thought of Gaspard Hari, he began to drink again, and went on drinking until he fell to the ground, overcome by intoxication. And there he remained lying on his face, dead drunk, his limbs benumbed, and snoring loudly. But scarcely had he digested the maddening and burning liquor than the same cry, "Ulrich!" woke him like a bullet piercing his brain, and he got up, still staggering, stretching out his hands to save himself from falling, and calling to Sam to help him. And the dog, who appeared to be going mad like his master, rushed to the door, scratched it with his claws and gnawed it with his long white teeth, while the young man, with his head thrown back drank the brandy in draughts, as if it had been cold water, so that it might by and by send his thoughts, his frantic terror, and his memory to sleep again.

In three weeks he had consumed all his stock of ardent spirits. But his continual drunkenness only lulled his terror, which awoke more furiously than ever as soon as it was impossible for him to calm it. His fixed idea then, which had been intensified by a month of drunkenness, and which was continually increasing in his absolute solitude, penetrated him like a gimlet. He now walked about the house like a wild beast in its cage, putting his ear to the door to listen if the other were there and defying him through the wall. Then, as soon as he dozed, overcome by fatigue, he heard the voice which made him leap to his feet.
At last one night, as cowards do when driven to extremities, he sprang to the door and opened it, to see who was calling him and to force him to keep quiet, but such a gust of cold wind blew into his face that it chilled him to the bone, and he closed and bolted the door again immediately, without noticing that Sam had rushed out. Then, as he was shivering with cold, he threw some wood on the fire and sat down in front of it to warm himself, but suddenly he started, for somebody was scratching at the wall and crying. In desperation he called out: "Go away!" but was answered by another long, sorrowful wail.
Then all his remaining senses forsook him from sheer fright. He repeated: "Go away!" and turned round to try to find some corner in which to hide, while the other person went round the house still crying and rubbing against the wall. Ulrich went to the oak sideboard, which was full of plates and dishes and of provisions, and lifting it up with superhuman strength, he dragged it to the door, so as to form a barricade. Then piling up all the rest of the furniture, the mattresses, palliasses and chairs, he stopped up the windows as one does when assailed by an enemy.
But the person outside now uttered long, plaintive, mournful groans, to which the young man replied by similar groans, and thus days and nights passed without their ceasing to howl at each other. The one was continually walking round the house and scraped the walls with his nails so vigorously that it seemed as if he wished to destroy them, while the other, inside, followed all his movements, stooping down and holding his ear to the walls and replying to all his appeals with terrible cries. One evening, however, Ulrich heard nothing more, and he sat down, so overcome by fatigue, that he went to sleep immediately and awoke in the morning without a thought, without any recollection of what had happened, just as if his head had been emptied during his heavy sleep, but he felt hungry, and he ate.

The winter was over and the Gemmi Pass was practicable again, so the Hauser family started off to return to their inn. As soon as they had reached the top of the ascent the women mounted their mule and spoke about the two men whom they would meet again shortly. They were, indeed, rather surprised that neither of them had come down a few days before, as soon as the road was open, in order to tell them all about their long winter sojourn. At last, however, they saw the inn, still covered with snow, like a quilt. The door and the window were closed, but a little smoke was coming out of the chimney, which reassured old Hauser. On going up to the door, however, he saw the skeleton of an animal which had been torn to pieces by the eagles, a large skeleton lying on its side.
They all looked close at it and the mother said:
"That must be Sam," and then she shouted: "Hi, Gaspard!" A cry from the interior of the house answered her and a sharp cry that one might have thought some animal had uttered it. Old Hauser repeated, "Hi, Gaspard!" and they heard another cry similar to the first.
Then the three men, the father and the two sons, tried to open the door, but it resisted their efforts. From the empty cow-stall they took a beam to serve as a battering-ram and hurled it against the door with all their might. The wood gave way and the boards flew into splinters. Then the house was shaken by a loud voice, and inside, behind the side board which was overturned, they saw a man standing upright, with his hair falling on his shoulders and a beard descending to his breast, with shining eyes, and nothing but rags to cover him. They did not recognize him, but Louise Hauser exclaimed:
"It is Ulrich, mother." And her mother declared that it was Ulrich, although his hair was white.
He allowed them to go up to him and to touch him, but he did not reply to any of their questions, and they were obliged to take him to Loeche, where the doctors found that he was mad, and nobody ever found out what had become of his companion.
Little Louise Hauser nearly died that summer of decline, which the physicians attributed to the cold air of the mountains.

The Moonlit Road

Ambrose Bierce

The Moonlit Road

1. Statement of Joel Hetman, Jr.
I am the most unfortunate of men. Rich, respected, fairly well educated and of sound health -- with many other advantages usually valued by those having them and coveted by those who have them not -- I sometimes think that I should be less unhappy if they had been denied me, for then the contrast between my outer and my inner life would not be continually demanding a painful attention. In the stress of privation and the need of effort I might sometimes forget the sombre secret ever baffling the conjecture that it compels.
I am the only child of Joel and Julia Hetman. The one was a well-to-do country gentleman, the other a beautiful and accomplished woman to whom he was passionately attached with what I now know to have been a jealous and exacting devotion. The family home was a few miles from Nashville, Tennessee, a large, irregularly built dwelling of no particular order of architecture, a little way off the road, in a park of trees and shrubbery.
At the time of which I write I was nineteen years old, a student at Yale. One day I received a telegram from my father of such urgency that in compliance with its unexplained demand I left at once for home. At the railway station in Nashville a distant relative awaited me to apprise me of the reason for my recall: my mother had been barbarously murdered -- why and by whom none could conjecture, but the circumstances were these.
My father had gone to Nashville, intending to return the next afternoon. Something prevented his accomplishing the business in hand, so he returned on the same night, arriving just before the dawn. In his testimony before the coroner he explained that having no latchkey and not caring to disturb the sleeping servants, he had, with no clearly defined intention, gone round to the rear of the house. As he turned an angle of the building, he heard a sound as of a door gently closed, and saw in the darkness, indistinctly, the figure of a man, which instantly disappeared among the trees of the lawn. A hasty pursuit and brief search of the grounds in the belief that the trespasser was some one secretly visiting a servant proving fruitless, he entered at the unlocked door and mounted the stairs to my mother's chamber. Its door was open, and stepping into black darkness he fell headlong over some heavy object on the floor. I may spare myself the details; it was my poor mother, dead of strangulation by human hands!

Nothing had been taken from the house, the servants had heard no sound, and excepting those terrible finger-marks upon the dead woman's throat -- dear God! that I might forget them! -- no trace of the assassin was ever found.
I gave up my studies and remained with my father, who, naturally, was greatly changed. Always of a sedate, taciturn disposition, he now fell into so deep a dejection that nothing could hold his attention, yet anything -- a footfall, the sudden closing of a door -- aroused in him a fitful interest; one might have called it an apprehension. At any small surprise of the senses he would start visibly and sometimes turn pale, then relapse into a melancholy apathy deeper than before. I suppose he was what is called a 'nervous wreck.' As to me, I was younger then than now -- there is much in that. Youth is Gilead, in which is balm for every wound. Ah, that I might again dwell in that enchanted land! Unacquainted with grief, I knew not how to appraise my bereavement; I could not rightly estimate the strength of the stroke.
One night, a few months after the dreadful event, my father and I walked home from the city. The full moon was about three hours above the eastern horizon; the entire countryside had the solemn stillness of a summer night; our footfalls and the ceaseless song of the katydids were the only sound, aloof. Black shadows of bordering trees lay athwart the road, which, in the short reaches between, gleamed a ghostly white. As we approached the gate to our dwelling, whose front was in shadow, and in which no light shone, my father suddenly stopped and clutched my arm, saying, hardly above his breath:
'God! God! what is that?'
'I hear nothing,' I replied.
'But see -- see!' he said, pointing along the road, directly ahead.
I said: 'Nothing is there. Come, father, let us go in -- you are ill.'
He had released my arm and was standing rigid and motionless in the centre of the illuminated roadway, staring like one bereft of sense. His face in the moonlight showed a pallor and fixity inexpressibly distressing. I pulled gently at his sleeve, but he had forgotten my existence. Presently he began to retire backward, step by step, never for an instant removing his eyes from what he saw, or thought he saw. I turned half round to follow, but stood irresolute. I do not recall any feeling of fear, unless a sudden chill was its physical manifestation. It seemed as if an icy wind had touched my face and enfolded my body from head to foot; I could feel the stir of it in my hair.

At that moment my attention was drawn to a light that suddenly streamed from an upper window of the house: one of the servants, awakened by what mysterious premonition of evil who can say, and in obedience to an impulse that she was never able to name, had lit a lamp. When I turned to look for my father he was gone, and in all the years that have passed no whisper of his fate has come across the borderland of conjecture from the realm of the unknown.


2. Statement of Caspar Grattan
To-day I am said to live, to-morrow, here in this room, will lie a senseless shape of clay that all too long was I. If anyone lift the cloth from the face of that unpleasant thing it will be in gratification of a mere morbid curiosity. Some, doubtless, will go further and inquire, 'Who was he?' In this writing I supply the only answer that I am able to make -- Caspar Grattan. Surely, that should be enough. The name has served my small need for more than twenty years of a life of unknown length. True, I gave it to myself, but lacking another I had the right. In this world one must have a name; it prevents confusion, even when it does not establish identity. Some, though, are known by numbers, which also seem inadequate distinctions.
One day, for illustration, I was passing along a street of a city, far from here, when I met two men in uniform, one of whom, half pausing and looking curiously into my face, said to his companion, 'That man looks like 767.' Something in the number seemed familiar and horrible. Moved by an uncontrollable impulse, I sprang into a side street and ran until I fell exhausted in a country lane.
I have never forgotten that number, and always it comes to memory attended by gibbering obscenity, peals of joyless laughter, the clang of iron doors. So I say a name, even if self-bestowed, is better than a number. In the register of the potter's field I shall soon have both. What wealth!
Of him who shall find this paper I must beg a little consideration. It is not the history of my life; the knowledge to write that is denied me. This is only a record of broken and apparently unrelated memories, some of them as distinct and sequent as brilliant beads upon a thread, others remote and strange, having the character of crimson dreams with interspaces blank and black -- witch-fires glowing still and red in a great desolation.

Standing upon the shore of eternity, I turn for a last look landward over the course by which I came. There are twenty years of footprints fairly distinct, the impressions of bleeding feet. They lead through poverty and pain, devious and unsure, as of one staggering beneath a burden --
Remote, unfriended, melancholy, slow.
Ah, the poet's prophecy of Me -- how admirable, how dreadfully admirable!
Backward beyond the beginning of this via dolorosa -- this epic of suffering with episodes of sin -- I see nothing clearly; it comes out of a cloud. I know that it spans only twenty years, yet I am an old man.
One does not remember one's birth -- one has to be told. But with me it was different; life came to me full-handed and dowered me with all my faculties and powers. Of a previous existence I know no more than others, for all have stammering intimations that may be memories and may be dreams. I know only that my first consciousness was of maturity in body and mind -- a consciousness accepted without surprise or conjecture. I merely found myself walking in a forest, half-clad, footsore, unutterably weary and hungry. Seeing a farmhouse, I approached and asked for food, which was given me by one who inquired my name. I did not know, yet knew that all had names. Greatly embarrassed, I retreated, and night coming on, lay down in the forest and slept.
The next day I entered a large town which I shall not name. Nor shall I recount further incidents of the life that is now to end -- a life of wandering, always and everywhere haunted by an overmastering sense of crime in punishment of wrong and of terror in punishment of crime. Let me see if I can reduce it to narrative.
I seem once to have lived near a great city, a prosperous planter, married to a woman whom I loved and distrusted. We had, it sometimes seems, one child, a youth of brilliant parts and promise. He is at all times a vague figure, never clearly drawn, frequently altogether out of the picture.
One luckless evening it occurred to me to test my wife's fidelity in a vulgar, commonplace way familiar to everyone who has acquaintance with the literature of fact and fiction. I went to the city, telling my wife that I should be absent until the following afternoon. But I returned before daybreak and went to the rear of the house, purposing to enter by a door with which I had secretly so tampered that it would seem to lock, yet not actually fasten. As I approached it, I heard it gently open and close, and saw a man steal away into the darkness. With murder in my heart, I sprang after him, but he had vanished without even the bad luck of identification. Sometimes now I cannot even persuade myself that it was a human being.

Crazed with jealousy and rage, blind and bestial with all the elemental passions of insulted manhood, I entered the house and sprang up the stairs to the door of my wife's chamber. It was closed, but having tampered with its lock also, I easily entered, and despite the black darkness soon stood by the side of her bed. My groping hands told me that although disarranged it was unoccupied.
'She is below,' I thought, 'and terrified by my entrance has evaded me in the darkness of the hall.' With the purpose of seeking her I turned to leave the room, but took a wrong direction -- the right one! My foot struck her, cowering in a corner of the room. Instantly my hands were at her throat, stifling a shriek, my knees were upon her struggling body; and there in the darkness, without a word of accusation or reproach, I strangled her till she died! There ends the dream. I have related it in the past tense, but the present would be the fitter form, for again and again the sombre tragedy re-enacts itself in my consciousness -- over and over I lay the plan, I suffer the confirmation, I redress the wrong. Then all is blank; and afterward the rains beat against the grimy windowpanes, or the snows fall upon my scant attire, the wheels rattle in the squalid streets where my life lies in poverty and mean employment. If there is ever sunshine I do not recall it; if there are birds they do not sing.
There is another dream, another vision of the night. I stand among the shadows in a moonlit road. I am aware of another presence, but whose I cannot rightly determine. In the shadow of a great dwelling I catch the gleam of white garments; then the figure of a woman confronts me in the road -- my murdered wife! There is death in the face; there are marks upon the throat. The eyes are fixed on mine with an infinite gravity which is not reproach, nor hate, nor menace, nor anything less terrible than recognition. Before this awful apparition I retreat in terror -- a terror that is upon me as I write. I can no longer rightly shape the words. See! they --
Now I am calm, but truly there is no more to tell: the incident ends where it began -- in darkness and in doubt.

Yes, I am again in control of myself: 'the captain of my soul.' But that is not respite; it is another stage and phase of expiation. My penance, constant in degree, is mutable in kind: one of its variants is tranquillity. After all, it is only a life-sentence. 'To Hell for life' -- that is a foolish penalty: the culprit chooses the duration of his punishment. To-day my term expires.
To each and all, the peace that was not mine.


3. Statement of the Late Julia Hetman, through the Medium Bayrolles
I had retired early and fallen almost immediately into a peaceful sleep, from which I awoke with that indefinable sense of peril which is, I think, a common experience in that other, earlier life. Of its unmeaning character, too, I was entirely persuaded, yet that did not banish it. My husband, Joel Hetman, was away from home; the servants slept in another part of the house. But these were familiar conditions; they had never before distressed me. Nevertheless, the strange terror grew so insupportable that conquering my reluctance to move I sat up and lit the lamp at my bedside. Contrary to my expectation this gave me no relief; the light seemed rather an added danger, for I reflected that it would shine out under the door, disclosing my presence to whatever evil thing might lurk outside. You that are still in the flesh, subject to horrors of the imagination, think what a monstrous fear that must be which seeks in darkness security from malevolent existences of the night. That is to spring to close quarters with an unseen enemy -- the strategy of despair!
Extinguishing the lamp I pulled the bedclothing about my head and lay trembling and silent, unable to shriek, forgetful to pray. In this pitiable state I must have lain for what you call hours -- with us there are no hours, there is no time.
At last it came -- a soft, irregular sound of footfalls on the stairs! They were slow, hesitant, uncertain, as of something that did not see its way; to my disordered reason all the more terrifying for that, as the approach of some blind and mindless malevolence to which is no appeal. I even thought that I must have left the hall lamp burning and the groping of this creature proved it a monster of the night. This was foolish and inconsistent with my previous dread of the light, but what would you have? Fear has no brains; it is an idiot. The dismal witness that it bears and the cowardly counsel that it whispers are unrelated. We know this well, we who have passed into the Realm of Terror, who skulk in eternal dusk among the scenes of our former lives, invisible even to ourselves, and one another, yet hiding forlorn in lonely places; yearning for speech with our loved ones, yet dumb, and as fearful of them as they of us. Sometimes the disability is removed, the law suspended: by the deathless power of love or hate we break the spell -- we are seen by those whom we would warn, console, or punish. What form we seem to them to bear we know not; we know only that we terrify even those whom we most wish to comfort, and from whom we most crave tenderness and sympathy.

Forgive, I pray you, this inconsequent digression by what was once a woman. You who consult us in this imperfect way -- you do not understand. You ask foolish questions about things unknown and things forbidden. Much that we know and could impart in our speech is meaningless in yours. We must communicate with you through a stammering intelligence in that small fraction of our language that you yourselves can speak. You think that we are of another world. No, we have knowledge of no world but yours, though for us it holds no sunlight, no warmth, no music, no laughter, no song of birds, nor any companionship. O God! what a thing it is to be a ghost, cowering and shivering in an altered world, a prey to apprehension and despair!
No, I did not die of fright: the Thing turned and went away. I heard it go down the stairs, hurriedly, I thought, as if itself in sudden fear. Then I rose to call for help. Hardly had my shaking hand found the door-knob when -- merciful heaven! -- I heard it returning. Its footfalls as it remounted the stairs were rapid, heavy and loud; they shook the house. I fled to an angle of the wall and crouched upon the floor. I tried to pray. I tried to call the name of my dear husband. Then I heard the door thrown open. There was an interval of unconsciousness, and when I revived I felt a strangling clutch upon my throat -- felt my arms feebly beating against something that bore me backward -- felt my tongue thrusting itself from between my teeth! And then I passed into this life.
No, I have no knowledge of what it was. The sum of what we knew at death is the measure of what we know afterward of all that went before. Of this existence we know many things, but no new light falls upon any page of that; in memory is written all of it that we can read. Here are no heights of truth overlooking the confused landscape of that dubitable domain. We still dwell in the Valley of the Shadow, lurk in its desolate places, peering from brambles and thickets at its mad, malign inhabitants. How should we have new knowledge of that fading past?

What I am about to relate happened on a night. We know when it is night, for then you retire to your houses and we can venture from our places of concealment to move unafraid about our old homes, to look in at the windows, even to enter and gaze upon your faces as you sleep. I had lingered long near the dwelling where I had been so cruelly changed to what I am, as we do while any that we love or hate remain. Vainly I had sought some method of manifestation, some way to make my continued existence and my great love and poignant pity understood by my husband and son. Always if they slept they would wake, or if in my desperation I dared approach them when they were awake, would turn toward me the terrible eyes of the living, frightening me by the glances that I sought from the purpose that I held.
On this night I had searched for them without success, fearing to find them; they were nowhere in the house, nor about the moonlit dawn. For, although the sun is lost to us for ever, the moon, full-orbed or slender, remains to us. Sometimes it shines by night, sometimes by day, but always it rises and sets, as in that other life.
I left the lawn and moved in the white light and silence along the road, aimless and sorrowing. Suddenly I heard the voice of my poor husband in exclamations of astonishment, with that of my son in reassurance and dissuasion; and there by the shadow of a group of trees they stood -- near, so near! Their faces were toward me, the eyes of the elder man fixed upon mine. He saw me -- at last, at last, he saw me! In the consciousness of that, my terror fled as a cruel dream. The death-spell was broken: Love had conquered Law! Mad with exultation I shouted -- I must have shouted,' He sees, he sees: he will understand!' Then, controlling myself, I moved forward, smiling and consciously beautiful, to offer myself to his arms, to comfort him with endearments, and, with my son's hand in mine, to speak words that should restore the broken bonds between the living and the dead.

Alas! alas! his face went white with fear, his eyes were as those of a hunted animal. He backed away from me, as I advanced, and at last turned and fled into the wood -- whither, it is not given to me to know.
To my poor boy, left doubly desolate, I have never been able to impart a sense of my presence. Soon he, too, must pass to this Life Invisible and be lost to me for ever.

Kerfol

Edith Wharton

Kerfol

"You ought to buy it," said my host; "it's just the place for a solitary-minded devil like you. And it would be rather worth while to own the most romantic house in Brittany. The present people are dead broke, and it's going for a song -- you ought to buy it."
It was not with the least idea of living up to the character my friend Lanrivain ascribed to me (as a matter of fact, under my unsociable exterior I have always had secret yearnings for domesticity) that I took his hint one autumn afternoon and went to Kerfol. My friend was motoring over to Quimper on business: he dropped me on the way, at a cross-road on a heath, and said: "First turn to the right and second to the left. Then straight ahead till you see an avenue. If you meet any peasants, don't ask your way. They don't understand French, and they would pretend they did and mix you up. I'll be back for you here by sunset -- and don't forget the tombs in the chapel."
I followed Lanrivain's directions with the hesitation occasioned by the usual difficulty of remembering whether he had said the first turn to the right and second to the left, or the contrary. If I had met a peasant I should certainly have asked, and probably been sent astray; but I had the desert landscape to myself, and so stumbled on the right turn and walked on across the heath till I came to an avenue. It was so unlike any other avenue I have ever seen that I instantly knew it must be THE avenue. The grey-trunked trees sprang up straight to a great height and then interwove their pale-grey branches in a long tunnel through which the autumn light fell faintly. I know most trees by name, but I haven't to this day been able to decide what those trees were. They had the tall curve of elms, the tenuity of poplars, the ashen colour of olives under a rainy sky; and they stretched ahead of me for half a mile or more without a break in their arch. If ever I saw an avenue that unmistakeably led to something, it was the avenue at Kerfol. My heart beat a little as I began to walk down it.

Presently the trees ended and I came to a fortified gate in a long wall. Between me and the wall was an open space of grass, with other grey avenues radiating from it. Behind the wall were tall slate roofs mossed with silver, a chapel belfry, the top of a keep. A moat filled with wild shrubs and brambles surrounded the place; the drawbridge had been replaced by a stone arch, and the portcullis by an iron gate. I stood for a long time on the hither side of the moat, gazing about me, and letting the influence of the place sink in. I said to myself: "If I wait long enough, the guardian will turn up and show me the tombs --" and I rather hoped he wouldn't turn up too soon.
I sat down on a stone and lit a cigarette. As soon as I had done it, it struck me as a puerile and portentous thing to do, with that great blind house looking down at me, and all the empty avenues converging on me. It may have been the depth of the silence that made me so conscious of my gesture. The squeak of my match sounded as loud as the scraping of a brake, and I almost fancied I heard it fall when I tossed it onto the grass. But there was more than that: a sense of irrelevance, of littleness, of childish bravado, in sitting there puffing my cigarette-smoke into the face of such a past.
I knew nothing of the history of Kerfol -- I was new to Brittany, and Lanrivain had never mentioned the name to me till the day before -- but one couldn't as much as glance at that pile without feeling in it a long accumulation of history. What kind of history I was not prepared to guess: perhaps only the sheer weight of many associated lives and deaths which gives a kind of majesty to all old houses. But the aspect of Kerfol suggested something more -- a perspective of stern and cruel memories stretching away, like its own grey avenues, into a blur of darkness.
Certainly no house had ever more completely and finally broken with the present. As it stood there, lifting its proud roofs and gables to the sky, it might have been its own funeral monument. "Tombs in the chapel? The whole place is a tomb!" I reflected. I hoped more and more that the guardian would not come. The details of the place, however striking, would seem trivial compared with its collective impressiveness; and I wanted only to sit there and be penetrated by the weight of its silence.

"It's the very place for you!" Lanrivain had said; and I was overcome by the almost blasphemous frivolity of suggesting to any living being that Kerfol was the place for him. "Is it possible that any one could NOT see -- ?" I wondered. I did not finish the thought: what I meant was undefinable. I stood up and wandered toward the gate. I was beginning to want to know more; not to SEE more -- I was by now so sure it was not a question of seeing -- but to feel more: feel all the place had to communicate. "But to get in one will have to rout out the keeper," I thought reluctantly, and hesitated. Finally I crossed the bridge and tried the iron gate. It yielded, and I walked under the tunnel formed by the thickness of the chemin de ronde. At the farther end, a wooden barricade had been laid across the entrance, and beyond it I saw a court enclosed in noble architecture. The main building faced me; and I now discovered that one half was a mere ruined front, with gaping windows through which the wild growths of the moat and the trees of the park were visible. The rest of the house was still in its robust beauty. One end abutted on the round tower, the other on the small traceried chapel, and in an angle of the building stood a graceful well-head adorned with mossy urns. A few roses grew against the walls, and on an upper window-sill I remember noticing a pot of fuchsias.
My sense of the pressure of the invisible began to yield to my architectural interest. The building was so fine that I felt a desire to explore it for its own sake. I looked about the court, wondering in which corner the guardian lodged. Then I pushed open the barrier and went in. As I did so, a little dog barred my way. He was such a remarkably beautiful little dog that for a moment he made me forget the splendid place he was defending. I was not sure of his breed at the time, but have since learned that it was Chinese, and that he was of a rare variety called the "Sleeve-dog." He was very small and golden brown, with large brown eyes and a ruffled throat: he looked rather like a large tawny chrysanthemum. I said to myself: "These little beasts always snap and scream, and somebody will be out in a minute."

The little animal stood before me, forbidding, almost menacing: there was anger in his large brown eyes. But he made no sound, he came no nearer. Instead, as I advanced, he gradually fell back, and I noticed that another dog, a vague rough brindled thing, had limped up. "There'll be a hubbub now," I thought; for at the same moment a third dog, a long-haired white mongrel, slipped out of a doorway and joined the others. All three stood looking at me with grave eyes; but not a sound came from them. As I advanced they continued to fall back on muffled paws, still watching me. "At a given point, they'll all charge at my ankles: it's one of the dodges that dogs who live together put up on one," I thought. I was not much alarmed, for they were neither large nor formidable. But they let me wander about the court as I pleased, following me at a little distance -- always the same distance -- and always keeping their eyes on me. Presently I looked across at the ruined facade, and saw that in one of its window-frames another dog stood: a large white pointer with one brown ear. He was an old grave dog, much more experienced than the others; and he seemed to be observing me with a deeper intentness.
"I'll hear from HIM," I said to myself; but he stood in the empty window-frame, against the trees of the park, and continued to watch me without moving. I looked back at him for a time, to see if the sense that he was being watched would not rouse him. Half the width of the court lay between us, and we stared at each other silently across it. But he did not stir, and at last I turned away. Behind me I found the rest of the pack, with a newcomer added: a small black greyhound with pale agate-coloured eyes. He was shivering a little, and his expression was more timid than that of the others. I noticed that he kept a little behind them. And still there was not a sound.
I stood there for fully five minutes, the circle about me -- waiting, as they seemed to be waiting. At last I went up to the little golden-brown dog and stooped to pat him. As I did so, I heard myself laugh. The little dog did not start, or growl, or take his eyes from me -- he simply slipped back about a yard, and then paused and continued to look at me. "Oh, hang it!" I exclaimed aloud, and walked across the court toward the well.

As I advanced, the dogs separated and slid away into different corners of the court. I examined the urns on the well, tried a locked door or two, and up and down the dumb facade; then I faced about toward the chapel. When I turned I perceived that all the dogs had disappeared except the old pointer, who still watched me from the empty window-frame. It was rather a relief to be rid of that cloud of witnesses; and I began to look about me for a way to the back of the house. "Perhaps there'll be somebody in the garden," I thought. I found a way across the moat, scrambled over a wall smothered in brambles, and got into the garden. A few lean hydrangeas and geraniums pined in the flower-beds, and the ancient house looked down on them indifferently. Its garden side was plainer and severer than the other: the long granite front, with its few windows and steep roof, looked like a fortress-prison. I walked around the farther wing, went up some disjointed steps, and entered the deep twilight of a narrow and incredibly old box-walk. The walk was just wide enough for one person to slip through, and its branches met overhead. It was like the ghost of a box-walk, its lustrous green all turning to the shadowy greyness of the avenues. I walked on and on, the branches hitting me in the face and springing back with a dry rattle; and at length I came out on the grassy top of the chemin de ronde. I walked along it to the gate-tower, looking down into the court, which was just below me. Not a human being was in sight; and neither were the dogs. I found a flight of steps in the thickness of the wall and went down them; and when I emerged again into the court, there stood the circle of dogs, the golden- brown one a little ahead of the others, the black greyhound shivering in the rear.
"Oh, hang it -- you uncomfortable beasts, you!" I exclaimed, my voice startling me with a sudden echo. The dogs stood motionless, watching me. I knew by this time that they would not try to prevent my approaching the house, and the knowledge left me free to examine them. I had a feeling that they must be horribly cowed to be so silent and inert. Yet they did not look hungry or ill-treated. Their coats were smooth and they were not thin, except the shivering greyhound. It was more as if they had lived a long time with people who never spoke to them or looked at them: as though the silence of the place had gradually benumbed their busy inquisitive natures. And this strange passivity, this almost human lassitude, seemed to me sadder than the misery of starved and beaten animals. I should have liked to rouse them for a minute, to coax them into a game or a scamper; but the longer I looked into their fixed and weary eyes the more preposterous the idea became. With the windows of that house looking down on us, how could I have imagined such a thing? The dogs knew better: THEY knew what the house would tolerate and what it would not. I even fancied that they knew what was passing through my mind, and pitied me for my frivolity. But even that feeling probably reached them through a thick fog of listlessness. I had an idea that their distance from me was as nothing to my remoteness from them. In the last analysis, the impression they produced was that of having in common one memory so deep and dark that nothing that had happened since was worth either a growl or a wag.

"I say," I broke out abruptly, addressing myself to the dumb circle, "do you know what you look like, the whole lot of you? You look as if you'd seen a ghost -- that's how you look! I wonder if there IS a ghost here, and nobody but you left for it to appear to?" The dogs continued to gaze at me without moving. . .
It was dark when I saw Lanrivain's motor lamps at the cross- roads -- and I wasn't exactly sorry to see them. I had the sense of having escaped from the loneliest place in the whole world, and of not liking loneliness -- to that degree -- as much as I had imagined I should. My friend had brought his solicitor back from Quimper for the night, and seated beside a fat and affable stranger I felt no inclination to talk of Kerfol. . .
But that evening, when Lanrivain and the solicitor were closeted in the study, Madame de Lanrivain began to question me in the drawing-room.
"Well -- are you going to buy Kerfol?" she asked, tilting up her gay chin from her embroidery.
"I haven't decided yet. The fact is, I couldn't get into the house," I said, as if I had simply postponed my decision, and meant to go back for another look.
"You couldn't get in? Why, what happened? The family are mad to sell the place, and the old guardian has orders --"
"Very likely. But the old guardian wasn't there."
"What a pity! He must have gone to market. But his daughter -- ?"
"There was nobody about. At least I saw no one."
"How extraordinary! Literally nobody?"
"Nobody but a lot of dogs -- a whole pack of them -- who seemed to have the place to themselves."
Madame de Lanrivain let the embroidery slip to her knee and folded her hands on it. For several minutes she looked at me thoughtfully.
"A pack of dogs -- you SAW them?"
"Saw them? I saw nothing else!"
"How many?" She dropped her voice a little. "I've always wondered --"
I looked at her with surprise: I had supposed the place to be familiar to her. "Have you never been to Kerfol?" I asked.
"Oh, yes: often. But never on that day."
"What day?"

"I'd quite forgotten -- and so had Herve, I'm sure. If we'd remembered, we never should have sent you today -- but then, after all, one doesn't half believe that sort of thing, does one?"
"What sort of thing?" I asked, involuntarily sinking my voice to the level of hers. Inwardly I was thinking: "I KNEW there was something. . ."
Madame de Lanrivain cleared her throat and produced a reassuring smile. "Didn't Herve tell you the story of Kerfol? An ancestor of his was mixed up in it. You know every Breton house has its ghost-story; and some of them are rather unpleasant."
"Yes -- but those dogs?" I insisted.
"Well, those dogs are the ghosts of Kerfol. At least, the peasants say there's one day in the year when a lot of dogs appear there; and that day the keeper and his daughter go off to Morlaix and get drunk. The women in Brittany drink dreadfully." She stooped to match a silk; then she lifted her charming inquisitive Parisian face: "Did you REALLY see a lot of dogs? There isn't one at Kerfol," she said.
II

Lanrivain, the next day, hunted out a shabby calf volume from the back of an upper shelf of his library.
"Yes -- here it is. What does it call itself? A History of the Assizes of the Duchy of Brittany. Quimper, 1702. The book was written about a hundred years later than the Kerfol affair; but I believe the account is transcribed pretty literally from the judicial records. Anyhow, it's queer reading. And there's a Herve de Lanrivain mixed up in it -- not exactly MY style, as you'll see. But then he's only a collateral. Here, take the book up to bed with you. I don't exactly remember the details; but after you've read it I'll bet anything you'll leave your light burning all night!"
I left my light burning all night, as he had predicted; but it was chiefly because, till near dawn, I was absorbed in my reading. The account of the trial of Anne de Cornault, wife of the lord of Kerfol, was long and closely printed. It was, as my friend had said, probably an almost literal transcription of what took place in the court-room; and the trial lasted nearly a month. Besides, the type of the book was detestable. . .

At first I thought of translating the old record literally. But it is full of wearisome repetitions, and the main lines of the story are forever straying off into side issues. So I have tried to disentangle it, and give it here in a simpler form. At times, however, I have reverted to the text because no other words could have conveyed so exactly the sense of what I felt at Kerfol; and nowhere have I added anything of my own.

III
It was in the year 16 -- that Yves de Cornault, lord of the domain of Kerfol, went to the pardon of Locronan to perform his religious duties. He was a rich and powerful noble, then in his sixty-second year, but hale and sturdy, a great horseman and hunter and a pious man. So all his neighbours attested. In appearance he seems to have been short and broad, with a swarthy face, legs slightly bowed from the saddle, a hanging nose and broad hands with black hairs on them. He had married young and lost his wife and son soon after, and since then had lived alone at Kerfol. Twice a year he went to Morlaix, where he had a handsome house by the river, and spent a week or ten days there; and occasionally he rode to Rennes on business. Witnesses were found to declare that during these absences he led a life different from the one he was known to lead at Kerfol, where he busied himself with his estate, attended mass daily, and found his only amusement in hunting the wild boar and water-fowl. But these rumours are not particularly relevant, and it is certain that among people of his own class in the neighbourhood he passed for a stern and even austere man, observant of his religious obligations, and keeping strictly to himself. There was no talk of any familiarity with the women on his estate, though at that time the nobility were very free with their peasants. Some people said he had never looked at a woman since his wife's death; but such things are hard to prove, and the evidence on this point was not worth much.
Well, in his sixty-second year, Yves de Cornault went to the pardon at Locronan, and saw there a young lady of Douarnenez, who had ridden over pillion behind her father to do her duty to the saint. Her name was Anne de Barrigan, and she came of good old Breton stock, but much less great and powerful than that of Yves de Cornault; and her father had squandered his fortune at cards, and lived almost like a peasant in his little granite manor on the moors. . . I have said I would add nothing of my own to this bald statement of a strange case; but I must interrupt myself here to describe the young lady who rode up to the lych-gate of Locronan at the very moment when the Baron de Cornault was also dismounting there. I take my description from a rather rare thing: a faded drawing in red crayon, sober and truthful enough to be by a late pupil of the Clouets, which hangs in Lanrivain's study, and is said to be a portrait of Anne de Barrigan. It is unsigned and has no mark of identity but the initials A. B., and the date 16 -- , the year after her marriage. It represents a young woman with a small oval face, almost pointed, yet wide enough for a full mouth with a tender depression at the corners. The nose is small, and the eyebrows are set rather high, far apart, and as lightly pencilled as the eyebrows in a Chinese painting. The forehead is high and serious, and the hair, which one feels to be fine and thick and fair, drawn off it and lying close like a cap. The eyes are neither large nor small, hazel probably, with a look at once shy and steady. A pair of beautiful long hands are crossed below the lady's breast. . .

The chaplain of Kerfol, and other witnesses, averred that when the Baron came back from Locronan he jumped from his horse, ordered another to be instantly saddled, called to a young page come with him, and rode away that same evening to the south. His steward followed the next morning with coffers laden on a pair of pack mules. The following week Yves de Cornault rode back to Kerfol, sent for his vassals and tenants, and told them he was to be married at All Saints to Anne de Barrigan of Douarnenez. And on All Saints' Day the marriage took place.
As to the next few years, the evidence on both sides seems to show that they passed happily for the couple. No one was found to say that Yves de Cornault had been unkind to his wife, and it was plain to all that he was content with his bargain. Indeed, it was admitted by the chaplain and other witnesses for the prosecution that the young lady had a softening influence on her husband, and that he became less exacting with his tenants, less harsh to peasants and dependents, and less subject to the fits of gloomy silence which had darkened his widow-hood. As to his wife, the only grievance her champions could call up in her behalf was that Kerfol was a lonely place, and that when her husband was away on business at Rennes or Morlaix -- whither she was never taken -- she was not allowed so much as to walk in the park unaccompanied. But no one asserted that she was unhappy, though one servant-woman said she had surprised her crying, and had heard her say that she was a woman accursed to have no child, and nothing in life to call her own. But that was a natural enough feeling in a wife attached to her husband; and certainly it must have been a great grief to Yves de Cornault that she gave him no son. Yet he never made her feel her childlessness as a reproach -- she herself admits this in her evidence -- but seemed to try to make her forget it by showering gifts and favours on her. Rich though he was, he had never been open-handed; but nothing was too fine for his wife, in the way of silks or gems or linen, or whatever else she fancied. Every wandering merchant was welcome at Kerfol, and when the master was called away he never came back without bringing his wife a handsome present -- something curious and particular -- from Morlaix or Rennes or Quimper. One of the waiting-women gave, in cross-examination, an interesting list of one year's gifts, which I copy. From Morlaix, a carved ivory junk, with Chinamen at the oars, that a strange sailor had brought back as a votive offering for Notre Dame de la Clarte, above Ploumanac'h; from Quimper, an embroidered gown, worked by the nuns of the Assumption; from Rennes, a silver rose that opened and showed an amber Virgin with a crown of garnets; from Morlaix, again, a length of Damascus velvet shot with gold, bought of a Jew from Syria; and for Michaelmas that same year, from Rennes, a necklet or bracelet of round stones -- emeralds and pearls and rubies -- strung like beads on a gold wire. This was the present that pleased the lady best, the woman said. Later on, as it happened, it was produced at the trial, and appears to have struck the Judges and the public as a curious and valuable jewel.

The very same winter, the Baron absented himself again, this time as far as Bordeaux, and on his return he brought his wife something even odder and prettier than the bracelet. It was a winter evening when he rode up to Kerfol and, walking into the hall, found her sitting listlessly by the fire, her chin on her hand, looking into the fire. He carried a velvet box in his hand and, setting it down on the hearth, lifted the lid and let out a little golden-brown dog.
Anne de Cornault exclaimed with pleasure as the little creature bounded toward her. "Oh, it looks like a bird or a butterfly!" she cried as she picked it up; and the dog put its paws on her shoulders and looked at her with eyes "like a Christian's." After that she would never have it out of her sight, and petted and talked to it as if it had been a child -- as indeed it was the nearest thing to a child she was to know. Yves de Cornault was much pleased with his purchase. The dog had been brought to him by a sailor from an East India merchantman, and the sailor had bought it of a pilgrim in a bazaar at Jaffa, who had stolen it from a nobleman's wife in China: a perfectly permissible thing to do, since the pilgrim was a Christian and the nobleman a heathen doomed to hellfire. Yves de Cornault had paid a long price for the dog, for they were beginning to be in demand at the French court, and the sailor knew he had got hold of a good thing; but Anne's pleasure was so great that, to see her laugh and play with the little animal, her husband would doubtless have given twice the sum.
So far, all the evidence is at one, and the narrative plain sailing; but now the steering becomes difficult. I will try to keep as nearly as possible to Anne's own statements; though toward the end, poor thing . . .
Well, to go back. The very year after the little brown dog was brought to Kerfol, Yves de Cornault, one winter night, was found dead at the head of a narrow flight of stairs leading down from his wife's rooms to a door opening on the court. It was his wife who found him and gave the alarm, so distracted, poor wretch, with fear and horror -- for his blood was all over her -- that at first the roused household could not make out what she was saying, and thought she had gone suddenly mad. But there, sure enough, at the top of the stairs lay her husband, stone dead, and head foremost, the blood from his wounds dripping down to the steps below him. He had been dreadfully scratched and gashed about the face and throat, as if with a dull weapon; and one of his legs had a deep tear in it which had cut an artery, and probably caused his death. But how did he come there, and who had murdered him?

His wife declared that she had been asleep in her bed, and hearing his cry had rushed out to find him lying on the stairs; but this was immediately questioned. In the first place, it was proved that from her room she could not have heard the struggle on the stairs, owing to the thickness of the walls and the length of the intervening passage; then it was evident that she had not been in bed and asleep, since she was dressed when she roused the house, and her bed had not been slept in. Moreover, the door at the bottom of the stairs was ajar, and the key in the lock; and it was noticed by the chaplain (an observant man) that the dress she wore was stained with blood about the knees, and that there were traces of small blood-stained hands low down on the staircase walls, so that it was conjectured that she had really been at the postern-door when her husband fell and, feeling her way up to him in the darkness on her hands and knees, had been stained by his blood dripping down on her. Of course it was argued on the other side that the blood-marks on her dress might have been caused by her kneeling down by her husband when she rushed out of her room; but there was the open door below, and the fact that the fingermarks in the staircase all pointed upward.
The accused held to her statement for the first two days, in spite of its improbability; but on the third day word was brought to her that Herve de Lanrivain, a young nobleman of the neighbourhood, had been arrested for complicity in the crime. Two or three witnesses thereupon came forward to say that it was known throughout the country that Lanrivain had formerly been on good terms with the lady of Cornault; but that he had been absent from Brittany for over a year, and people had ceased to associate their names. The witnesses who made this statement were not of a very reputable sort. One was an old herb-gatherer suspected of witch-craft, another a drunken clerk from a neighbouring parish, the third a half-witted shepherd who could be made to say anything; and it was clear that the prosecution was not satisfied with its case, and would have liked to find more definite proof of Lanrivain's complicity than the statement of the herb- gatherer, who swore to having seen him climbing the wall of the park on the night of the murder. One way of patching out incomplete proofs in those days was to put some sort of pressure, moral or physical, on the accused person. It is not clear what pressure was put on Anne de Cornault; but on the third day, when she was brought into court, she "appeared weak and wandering," and after being encouraged to collect herself and speak the truth, on her honour and the wounds of her Blessed Redeemer, she confessed that she had in fact gone down the stairs to speak with Herve de Lanrivain (who denied everything), and had been surprised there by the sound of her husband's fall. That was better; and the prosecution rubbed its hands with satisfaction. The satisfaction increased when various dependents living at Kerfol were induced to say -- with apparent sincerity -- that during the year or two preceding his death their master had once more grown uncertain and irascible, and subject to the fits of brooding silence which his household had learned to dread before his second marriage. This seemed to show that things had not been going well at Kerfol; though no one could be found to say that there had been any signs of open disagreement between husband and wife.

Anne de Cornault, when questioned as to her reason for going down at night to open the door to Herve de Lanrivain, made an answer which must have sent a smile around the court. She said it was because she was lonely and wanted to talk with the young man. Was this the only reason? she was asked; and replied: "Yes, by the Cross over your Lordships' heads." "But why at midnight?" the court asked. "Because I could see him in no other way." I can see the exchange of glances across the ermine collars under the Crucifix.
Anne de Cornault, further questioned, said that her married life had been extremely lonely: "desolate" was the word she used. It was true that her husband seldom spoke harshly to her; but there were days when he did not speak at all. It was true that he had never struck or threatened her; but he kept her like a prisoner at Kerfol, and when he rode away to Morlaix or Quimper or Rennes he set so close a watch on her that she could not pick a flower in the garden without having a waiting-woman at her heels. "I am no Queen, to need such honours," she once said to him; and he had answered that a man who has a treasure does not leave the key in the lock when he goes out. "Then take me with you," she urged; but to this he said that towns were pernicious places, and young wives better off at their own firesides.
"But what did you want to say to Herve de Lanrivain?" the court asked; and she answered: "To ask him to take me away."
"Ah -- you confess that you went down to him with adulterous thoughts?"
"No."
"Then why did you want him to take you away?"
"Because I was afraid for my life."
"Of whom were you afraid?"
"Of my husband."
"Why were you afraid of your husband?"
"Because he had strangled my little dog."
Another smile must have passed around the court-room: in days when any nobleman had a right to hang his peasants -- and most of them exercised it -- pinching a pet animal's wind-pipe was nothing to make a fuss about.
At this point one of the Judges, who appears to have had a certain sympathy for the accused, suggested that she should be allowed to explain herself in her own way; and she thereupon made the following statement.

The first years of her marriage had been lonely; but her husband had not been unkind to her. If she had had a child she would not have been unhappy; but the days were long, and it rained too much.
It was true that her husband, whenever he went away and left her, brought her a handsome present on his return; but this did not make up for the loneliness. At least nothing had, till he brought her the little brown dog from the East: after that she was much less unhappy. Her husband seemed pleased that she was so fond of the dog; he gave her leave to put her jewelled bracelet around its neck, and to keep it always with her.
One day she had fallen asleep in her room, with the dog at her feet, as his habit was. Her feet were bare and resting on his back. Suddenly she was waked by her husband: he stood beside her, smiling not unkindly.
"You look like my great-grandmother, Juliane de Cornault, lying in the chapel with her feet on a little dog," he said.
The analogy sent a chill through her, but she laughed and answered: "Well, when I am dead you must put me beside her, carved in marble, with my dog at my feet."
"Oho -- we'll wait and see," he said, laughing also, but with his black brows close together. "The dog is the emblem of fidelity."
"And do you doubt my right to lie with mine at my feet?"
"When I'm in doubt I find out," he answered. "I am an old man," he added, "and people say I make you lead a lonely life. But I swear you shall have your monument if you earn it."
"And I swear to be faithful," she returned, "if only for the sake of having my little dog at my feet."
Not long afterward he went on business to the Quimper Assizes; and while he was away his aunt, the widow of a great nobleman of the duchy, came to spend a night at Kerfol on her way to the pardon of Ste. Barbe. She was a woman of great piety and consequence, and much respected by Yves de Cornault, and when she proposed to Anne to go with her to Ste. Barbe no one could object, and even the chaplain declared himself in favour of the pilgrimage. So Anne set out for Ste. Barbe, and there for the first time she talked with Herve de Lanrivain. He had come once or twice to Kerfol with his father, but she had never before exchanged a dozen words with him. They did not talk for more than five minutes now: it was under the chestnuts, as the procession was coming out of the chapel. He said: "I pity you," and she was surprised, for she had not supposed that any one thought her an object of pity. He added: "Call for me when you need me," and she smiled a little, but was glad afterward, and thought often of the meeting.

She confessed to having seen him three times afterward: not more. How or where she would not say -- one had the impression that she feared to implicate some one. Their meetings had been rare and brief; and at the last he had told her that he was starting the next day for a foreign country, on a mission which was not without peril and might keep him for many months absent. He asked her for a remembrance, and she had none to give him but the collar about the little dog's neck. She was sorry afterward that she had given it, but he was so unhappy at going that she had not had the courage to refuse.
Her husband was away at the time. When he returned a few days later he picked up the little dog to pet it, and noticed that its collar was missing. His wife told him that the dog had lost it in the undergrowth of the park, and that she and her maids had hunted a whole day for it. It was true, she explained to the court, that she had made the maids search for the necklet -- they all believed the dog had lost it in the park. . .
Her husband made no comment, and that evening at supper he was in his usual mood, between good and bad: you could never tell which. He talked a good deal, describing what he had seen and done at Rennes; but now and then he stopped and looked hard at her; and when she went to bed she found her little dog strangled on her pillow. The little thing was dead, but still warm; she stooped to lift it, and her distress turned to horror when she discovered that it had been strangled by twisting twice round its throat the necklet she had given to Lanrivain.
The next morning at dawn she buried the dog in the garden, and hid the necklet in her breast. She said nothing to her husband, then or later, and he said nothing to her; but that day he had a peasant hanged for stealing a faggot in the park, and the next day he nearly beat to death a young horse he was breaking.
Winter set in, and the short days passed, and the long nights, one by one; and she heard nothing of Herve de Lanrivain. It might be that her husband had killed him; or merely that he had been robbed of the necklet. Day after day by the hearth among the spinning maids, night after night alone on her bed, she wondered and trembled. Sometimes at table her husband looked across at her and smiled; and then she felt sure that Lanrivain was dead. She dared not try to get news of him, for she was sure her husband would find out if she did: she had an idea that he could find out anything. Even when a witch-woman who was a noted seer, and could show you the whole world in her crystal, came to the castle for a night's shelter, and the maids flocked to her, Anne held back. The winter was long and black and rainy. One day, in Yves de Cornault's absence, some gypsies came to Kerfol with a troop of performing dogs. Anne bought the smallest and cleverest, a white dog with a feathery coat and one blue and one brown eye. It seemed to have been ill-treated by the gypsies, and clung to her plaintively when she took it from them. That evening her husband came back, and when she went to bed she found the dog strangled on her pillow.

After that she said to herself that she would never have another dog; but one bitter cold evening a poor lean greyhound was found whining at the castle-gate, and she took him in and forbade the maids to speak of him to her husband. She hid him in a room that no one went to, smuggled food to him from her own plate, made him a warm bed to lie on and petted him like a child.
Yves de Cornault came home, and the next day she found the greyhound strangled on her pillow. She wept in secret, but said nothing, and resolved that even if she met a dog dying of hunger she would never bring him into the castle; but one day she found a young sheep-dog, a brindled puppy with good blue eyes, lying with a broken leg in the snow of the park. Yves de Cornault was at Rennes, and she brought the dog in, warmed and fed it, tied up its leg and hid it in the castle till her husband's return. The day before, she gave it to a peasant woman who lived a long way off, and paid her handsomely to care for it and say nothing; but that night she heard a whining and scratching at her door, and when she opened it the lame puppy, drenched and shivering, jumped up on her with little sobbing barks. She hid him in her bed, and the next morning was about to have him taken back to the peasant woman when she heard her husband ride into the court. She shut the dog in a chest and went down to receive him. An hour or two later, when she returned to her room, the puppy lay strangled on her pillow. . .
After that she dared not make a pet of any other dog; and her loneliness became almost unendurable. Sometimes, when she crossed the court of the castle, and thought no one was looking, she stopped to pat the old pointer at the gate. But one day as she was caressing him her husband came out of the chapel; and the next day the old dog was gone. . .
This curious narrative was not told in one sitting of the court, or received without impatience and incredulous comment. It was plain that the Judges were surprised by its puerility, and that it did not help the accused in the eyes of the public. It was an odd tale, certainly; but what did it prove? That Yves de Cornault disliked dogs, and that his wife, to gratify her own fancy, persistently ignored this dislike. As for pleading this trivial disagreement as an excuse for her relations -- whatever their nature -- with her supposed accomplice, the argument was so absurd that her own lawyer manifestly regretted having let her make use of it, and tried several times to cut short her story. But she went on to the end, with a kind of hypnotized insistence, as though the scenes she evoked were so real to her that she had forgotten where she was and imagined herself to be re-living them.

At length the Judge who had previously shown a certain kindness to her said (leaning forward a little, one may suppose, from his row of dozing colleagues): "Then you would have us believe that you murdered your husband because he would not let you keep a pet dog?"
"I did not murder my husband."
"Who did, then? Herve de Lanrivain?"
"No."
"Who then? Can you tell us?"
"Yes, I can tell you. The dogs --" At that point she was carried out of the court in a swoon.

*
It was evident that her lawyer tried to get her to abandon this line of defense. Possibly her explanation, whatever it was, had seemed convincing when she poured it out to him in the heat of their first private colloquy; but now that it was exposed to the cold daylight of judicial scrutiny, and the banter of the town, he was thoroughly ashamed of it, and would have sacrificed her without a scruple to save his professional reputation. But the obstinate Judge -- who perhaps, after all, was more inquisitive than kindly -- evidently wanted to hear the story out, and she was ordered, the next day, to continue her deposition.
She said that after the disappearance of the old watch-dog nothing particular happened for a month or two. Her husband was much as usual: she did not remember any special incident. But one evening a pedlar woman came to the castle and was selling trinkets to the maids. She had no heart for trinkets, but she stood looking on while the women made their choice. And then, she did not know how, but the pedlar coaxed her into buying for herself an odd pear-shaped pomander with a strong scent in it -- she had once seen something of the kind on a gypsy woman. She had no desire for the pomander, and did not know why she had bought it. The pedlar said that whoever wore it had the power to read the future; but she did not really believe that, or care much either. However, she bought the thing and took it up to her room, where she sat turning it about in her hand. Then the strange scent attracted her and she began to wonder what kind of spice was in the box. She opened it and found a grey bean rolled in a strip of paper; and on the paper she saw a sign she knew, and a message from Herve de Lanrivain, saying that he was at home again and would be at the door in the court that night after the moon had set. . .

She burned the paper and then sat down to think. It was nightfall, and her husband was at home. . . She had no way of warning Lanrivain, and there was nothing to do but to wait. . .
At this point I fancy the drowsy courtroom beginning to wake up. Even to the oldest hand on the bench there must have been a certain aesthetic relish in picturing the feelings of a woman on receiving such a message at night-fall from a man living twenty miles away, to whom she had no means of sending a warning. . .
She was not a clever woman, I imagine; and as the first result of her cogitation she appears to have made the mistake of being, that evening, too kind to her husband. She could not ply him with wine, according to the traditional expedient, for though he drank heavily at times he had a strong head; and when he drank beyond its strength it was because he chose to, and not because a woman coaxed him. Not his wife, at any rate -- she was an old story by now. As I read the case, I fancy there was no feeling for her left in him but the hatred occasioned by his supposed dishonour.
At any rate, she tried to call up her old graces; but early in the evening he complained of pains and fever, and left the hall to go up to his room. His servant carried him a cup of hot wine, and brought back word that he was sleeping and not to be disturbed; and an hour later, when Anne lifted the tapestry and listened at his door, she heard his loud regular breathing. She thought it might be a feint, and stayed a long time barefooted in the cold passage, her ear to the crack; but the breathing went on too steadily and naturally to be other than that of a man in a sound sleep. She crept back to her room reassured, and stood in the window watching the moon set through the trees of the park. The sky was misty and starless, and after the moon went down the night was pitch black. She knew the time had come, and stole along the passage, past her husband's door -- where she stopped again to listen to his breathing -- to the top of the stairs. There she paused a moment, and assured herself that no one was following her; then she began to go down the stairs in the darkness. They were so steep and winding that she had to go very slowly, for fear of stumbling. Her one thought was to get the door unbolted, tell Lanrivain to make his escape, and hasten back to her room. She had tried the bolt earlier in the evening, and managed to put a little grease on it; but nevertheless, when she drew it, it gave a squeak . . . not loud, but it made her heart stop; and the next minute, overhead, she heard a noise. . .

"What noise?" the prosecution interposed.
"My husband's voice calling out my name and cursing me."
"What did you hear after that?"
"A terrible scream and a fall."
"Where was Herve de Lanrivain at this time?"
"He was standing outside in the court. I just made him out in the darkness. I told him for God's sake to go, and then I pushed the door shut."
"What did you do next?"
"I stood at the foot of the stairs and listened."
"What did you hear?"
"I heard dogs snarling and panting." (Visible discouragement of the bench, boredom of the public, and exasperation of the lawyer for the defense. Dogs again -- ! But the inquisitive Judge insisted.)
"What dogs?"
She bent her head and spoke so low that she had to be told to repeat her answer: "I don't know."
"How do you mean -- you don't know?"
"I don't know what dogs. . ."
The Judge again intervened: "Try to tell us exactly what happened. How long did you remain at the foot of the stairs?"
"Only a few minutes."
"And what was going on meanwhile overhead?"
"The dogs kept on snarling and panting. Once or twice he cried out. I think he moaned once. Then he was quiet."
"Then what happened?"
"Then I heard a sound like the noise of a pack when the wolf is thrown to them -- gulping and lapping."
(There was a groan of disgust and repulsion through the court, and another attempted intervention by the distracted lawyer. But the inquisitive Judge was still inquisitive.)
"And all the while you did not go up?"
"Yes -- I went up then -- to drive them off."
"The dogs?"
"Yes."
"Well -- ?"
"When I got there it was quite dark. I found my husband's flint and steel and struck a spark. I saw him lying there. He was dead."
"And the dogs?"
"The dogs were gone."
"Gone -- where to?"
"I don't know. There was no way out -- and there were no dogs at Kerfol."
She straightened herself to her full height, threw her arms above her head, and fell down on the stone floor with a long scream. There was a moment of confusion in the court-room. Some one on the bench was heard to say: "This is clearly a case for the ecclesiastical authorities" -- and the prisoner's lawyer doubtless jumped at the suggestion.

After this, the trial loses itself in a maze of cross-questioning and squabbling. Every witness who was called corroborated Anne de Cornault's statement that there were no dogs at Kerfol: had been none for several months. The master of the house had taken a dislike to dogs, there was no denying it. But, on the other hand, at the inquest, there had been long and bitter discussion as to the nature of the dead man's wounds. One of the surgeons called in had spoken of marks that looked like bites. The suggestion of witchcraft was revived, and the opposing lawyers hurled tomes of necromancy at each other.
At last Anne de Cornault was brought back into court -- at the instance of the same Judge -- and asked if she knew where the dogs she spoke of could have come from. On the body of her Redeemer she swore that she did not. Then the Judge put his final question: "If the dogs you think you heard had been known to you, do you think you would have recognized them by their barking?"
"Yes."
"Did you recognize them?"
"Yes."
"What dogs do you take them to have been?"
"My dead dogs," she said in a whisper. . . She was taken out of court, not to reappear there again. There was some kind of ecclesiastical investigation, and the end of the business was that the Judges disagreed with each other, and with the ecclesiastical committee, and that Anne de Cornault was finally handed over to the keeping of her husband's family, who shut her up in the keep of Kerfol, where she is said to have died many years later, a harmless madwoman.
So ends her story. As for that of Herve de Lanrivain, I had only to apply to his collateral descendant for its subsequent details. The evidence against the young man being insufficient, and his family influence in the duchy considerable, he was set free, and left soon afterward for Paris. He was probably in no mood for a worldly life, and he appears to have come almost immediately under the influence of the famous M. Arnauld d'Andilly and the gentlemen of Port Royal. A year or two later he was received into their Order, and without achieving any particular distinction he followed its good and evil fortunes till his death some twenty years later. Lanrivain showed me a portrait of him by a pupil of Philippe de Champaigne: sad eyes, an impulsive mouth and a narrow brow. Poor Herve de Lanrivain: it was a grey ending. Yet as I looked at his stiff and sallow effigy, in the dark dress of the Jansenists, I almost found myself envying his fate. After all, in the course of his life two great things had happened to him: he had loved romantically, and he must have talked with Pascal. . .